Publications, recordings and other outputs

An overview of what I have written and published (as sociologist) or recorded and released (as musician). Simply, all public "outputs" of my work. When technically feasible and legally possible, I will add full texts and, in respective parts of the musical section of this web, musical samples in mp3.
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KONOPÁSEK, Z. (1999): SAMISEBE: Pootevírání minulosti [SAMISEBE: Opening the past]. In: Z. Konopásek, ed.: Otevřená minulost: autobiografická sociologie státního socialismu. Praha: Karolinum. Pp. 7-19

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KONOPÁSEK, Z., ed. (1999): Otevřená minulost: autobiografická sociologie státního socialismu [Open past: An autobiographical sociology of state socialism]. Praha: Karolinum. 373 p.

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KONOPÁSEK, Z. (1999): Co je SAMISEBE? [What is SAMISEBE? An introduction] In: Z. Konopásek, ed.: Otevřená minulost: autobiografická sociologie státního socialismu. Praha: Karolinum. Str. 23-50

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DISMAN, M. / KONOPÁSEK, Z. (1999): Úvod k biografickým úryvkům SAMISEBE [Introduction to the biographical narratives of SAMISEBE]. In: Z. Konopásek, ed.: Otevřená minulost: autobiografická sociologie státního socialismu. Praha: Karolinum. Str. 255-257

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KONOPÁSEK, Z. (1998): Staré ortodoxie, nové ortodoxie: kvalitativní výzkum na prahu příštího století (review) [Old orthodoxies, new orthodoxies: Qualitative research for the next century]. Biograf, (14): 63-75

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Review of the book: DENZIN, N.K. (1997): Interpretive ethnography: Ethnographic practices for the 21st century. Thousand Oaks: Sage. 325 p. ISBN 0-8039-7299-7

KONOPÁSEK, Z. (1998): Estetika sociálního státu: O krizi reprezentace (nejen) v sociálním zabezpečení [The welfare state aesthetics: On the crisis of representation (not only) in social security]. Praha: G plus G. 341 p.

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The book challenges the usual views of the welfare state which seek to explain its current difficulties in terms of economics, politics or ethics. Instead, it prefers the perspective which I call "welfare state aesthetics". By this term I mean a study of welfare institutions as a kinds of texts representing social phenomena that are to be coped with. These texts should be studied relatively independently of their authors' convictions or wishes as well as of social scientists' objective knowledge of the phenomena. The title term "aesthetics" indicates that it is presumed that realism of these institutional texts is based on artful illusion-making and on processes of translation from one text to another rather than on the mimetic mirroring of "real life". In the book, I use such a perspective for an analysis of social security benefit schemes. Benefit formula are seen and analyzed as texts that representing, in some way, the reality of "income insufficiency". It is argued that in the postmodern era, the universalism of these texts increasingly undermines their realism and vice versa. The tension between universalism and realism is at the core of what I mean by the term crisis of representation in social security. The representation crisis, of course, affects a wide range of social texts ranging from biographical constructions of identity to scientific constructions of truth. Thus, some aspects of the welfare state crisis may be understood against precisely this wider context.

ATKINSON, P. / SILVERMAN, D. (1998): Kunderova Nesmrtelnost: Interview society a vynalézání Já [Kundera's Immortality: The interview society and the invention of the self]. Biograf, (13): 1-25 - translated by Lukáš Gjurič and Zdeněk Konopásek

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Milan Kundera[a]s novel Immortality bears a dose relation to con temporary social science debates about the production of the self. Commentators like Kleinman and Mishler seem to have introduced a new version of authenticity based on a reinvention of the Romantic subject with the interview (as the medium) and the narrative (as the content) portrayed as the means for constructing and sharing biographical experience. Unlike such contemporary Romantics, Kundera examines how the subject is constructed in literary biography and mass media "imagology". The authors show how Kundera[a]s work leads in two possible directions: an analysis of the interview society and a concern with strategies for the invention of the self. By locating styles of the self, the authors reveal lively and skillful biographical work, overlooked by cultural critique and not reducible to any structural determinism.

ATKINSON, P. / SILVERMAN, D. (1997): Kundera's Immortality: The interview society and the invention of the self, Qualitative Inquiry, 3 (3): 304-325

MOSER, I. / LAW, J. (1998): Přechody snadné, přechody nesnadné: o heterogenní ekonomii subjektivity [Good passages, bad passages: On heterogeneous economy of subjectivity]. Biograf, (15-16): 5-28 - translated by Zdeněk Konopásek

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This text explores the relation between subjectivities, materialities (including technological arrangements) and bodily competencies. Starting from the assumption that all material and bodily arrangements are specific, it considers some of those specifities, and the "passages" through which these specific arrangements are fitted together for a particular person, Liv, who is physically disabled. It explores the character of some Liv[a]s "passages" - some are "good", some "bad", some public, and some discrediting - and the ways in which they are shaped to produce personal and biographical continuity and relative autonomy for her - an autonomy and capacity discretionary decision making which she highly values. The paper thus uses some of the tools developed in the actor-network approach, but also in feminism, to interpret the material and corporeal relations involved in the formation of contemporary subjectivities.

MOSER, I. / LAW, J. (1999): Good passages, bad passages. In: J. Law, J. Hassard, editors: Actor network theory and after. Oxford: Blackwell & Sociological Review. Pp. 196-219

OLDŘICH JANOTA (1997): Sešité. CD, Indies Records [MAM024-2]

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I participated on this another album of Oldřich Janota with my drum-playing and with trumpets, together with Veronika Hánová (viola, voice) and Luboš Fidler (piano). [audio samples here]

FISCHER-ROSENTHAL, W. (1997): Problémy s identitou: biografie jako řešení některých (post)moderních dilemat [The problem with identity: Biography as solution to some (post)modernist dilemmas]. Biograf, (12): 1-18 - translated by Zdeněk Konopásek

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 Translated from the original article: FISCHER-ROSENTHAL, W. (1995): The problem with identity: Biography as solution to some (post)modernist dilemmas. Comenius, (15): 250-265

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18. 5. 2024 -

Platón: Sokratova obhajoba [Plato: Defense of Sokrates] (Trnava)

The voice of Sokrates by Jaroslav Dušek, people of Athens performed on drums by Zdeněk Konopásek

19. 5. 2024 -

Platón: Sokratova obhajoba [Plato: Defense of Sokrates] (Bratislava)

The voice of Sokrates by Jaroslav Dušek, people of Athens performed on drums by Zdeněk Konopásek; V klub, 7pm

20. 5. 2024 -

Jaroslav Dušek: The fifth agreement (Plzeň)

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