Sociological and musical projects

Fully improvised theatrical-musical performances: Jaroslav Dušek - acting, speaking, singing, dancing; Pjér Lašéz - guitars, djembe, singing and speaking; Zdeněk Konopásek - drums, trumpets; Viktor Zborník - lights

Divadlo Vizita is a life-long theatrical project of Jaroslav Dušek - actor who recently became widely known by some of his film roles (Musíme si pomáhat [Divided We Fall] - Oscar nomination in 2000), but who has also been systematically developing methods of free improvisation in theatre (and music). I started playing with Divadlo Vizita in the Archa Theatre (Praha) in 1999-2000. The lineup of these times (Dušek, Lašéz, Konopásek) was renewed in 2005, with occasional guest appearances such as collaboration with Dan Bárta (voice, instruments) and occasional switches to an alternative lineup with Miroslav Vitouš (contrabass) during 2006-7. A number of people have played with Divadlo Vizita throughout the years, either actors or musicians, e.g.: Jaromír Honzák (contrabas), René Pařez (guitar), Radomil Uhlíř (action), Alan Vitouš (percussions), Martin Zbrožek (action, violin, singing), Oldřich Kužílek and Jan Borna (actors) and many others.

YouTube: https://youtube.com/@divadlo-vizita

Didgeridoo and drums, free improvisation.

In 2015-2018, I played together with Ondrej Smeykal, one of the most brilliant and widely celebrated players on didgeridoo. Characteristically we play one piece from start to end, but in "waves", gently, but also wild, not only for listening but especiall for dancing and moving, a plethora of rhythms and sounds intended as something almost therapeutic and cathartic.

(Post)rock band: Jan Prokop - vocals, lyrics, guitars; Jindra Tolar - guitars, trumpet; Michal Fejt - tenorsax, clarinet; Zdeněk Konopásek - drums and cymbals.

Originally, Široko-daleko [Far and near] was a two-person project of Jan Prokop and Jindra (Henry) Tolar - both coming from a rock band Fish Flesh Field & Henry Dollar based in Karlovy Vary (my birth town). They became known for slow, melancholic and minimalistic songs, occasionally echoing the work of Oldrich Janota. I joined the line-up after a jam weekend, which took place at Jan Prokop's home in autumn 2010. We had the first concert in January 2011, in the Paderewski club in Karlovy Vary. We enjoyed playing together and thought it should not be our last performance.
Facebook: http://cs-cz.facebook.com/pages/Široko-Daleko/270579479656977

Scholarly peer-reviewed journal for qualitative research in the social sciences (ISSN 1211-5770) - I was its editor-in-chief since it was established in 1994 until 2008; in 2009-2016 I was member of the editorial team.

Currently the journal is published tri-annually in both paper and internet (online) versions (http://www.biograf.org). It features original papers, translations, exchanges, review essays, reports and other minor genres of academic writing.

An international and transdisciplinary research project supported within the EC 7th framework program (FP7-Fission-2010, 269906).

Involved researchers come from Great Britain, Germany, Sweden, France, Hungary, Spain, Finland, Slovenia and Czech Republic. The project aims at identifying the main socio-political challenges for implementing geological disposal of radioactive waste and their interplay with technical challenges. It will furthermore provide the IGD-TP with concrete suggestions on how to address these entangled socio-technical challenges.

Research framework programme of the Center for Theoretical Study (Charles University in Prague and Academy of Sciences of the Czech Republic) and Dept. of philosophy and history of natural sciences, Faculty of Sciences (Charles University in Prague), headed by David Storch.

The research framework programme gathers collaborators from various disciplines: physics (Roman Kotecký, Bedřich Velický, František Slanina); mathematics (Petr Kůrka, Kateřina Trlifajová, Bohuslav Balcar); macro-ecology (David Storch, Arnošt L. Šizling); biology (Anton Markoš, Karel Kleisner); sociology of science (Zdeněk Konopásek, Jan Paleček); and philosophy (Ivan M. Havel, Zdeněk Kratochvíl).

In this qualitative sociological research we will study how (mainly catholic) pastoral practice treats spiritual experiences of apparition or demonic possession. E.g., how it happens – by practical means of religious life and devoutness – that a vision is accepted as a kind of apparition? Or, quite often, that it is suppressed, privatized and turned into a psychical effect such as delusion? What qualities of such a spiritual experience are regarded as relevant? What rules, norms and imaginaries are mobilized at such occasions? How are these experiences made accountable and collectively shareable? How they are disputed, evaluated, and doubted? Or, eventually, affirmed and appreciated as religious realities? In fact, we intend to carry out an in-depth study of phenomena that are so unbelievable that their acceptance is always (more or less) in risk of being classified in terms of psychopathology or mental illness, but that are (precisely as unbelievable, super-natural and unexplainable by scientific means) key and carefully defined elements of widely accepted religious belief.

In 1997-2000, the band consisting of: Pjér Lašéz - vocals, bass, lyrics; Zdeněk Konopásek - drums; Tomáš Havlík (Mr. Giss) - keyboards (since 1999?); Petr Mareš (Berous) - guitar (also since 1999?).

A band that came to existence when I and Pjer Lasez started rehearsing as bass and drums duo. We were old friends, but in 1984-97 we hardly see each other - Pjer had written some lyrics for songs of Dvouletá fáma and in 1984 we shortly considered musical collaboration. After we started playing together in 1997, two other players subsequently joined us, so that our final recording was made under the title Duo Profesores, Mr. Giss, and one guitar, please. No live performances, only one CD-R full of funny songs and appearance in a weird TV series by Jaroslav Dušek called Dokoláč (broadcasted around 2000).

Wild free improvisation band: Radomil Uhlíř - voice; René Pařez (until 2005)/Joe Karafiát (since 2005) - guitars; Zdeněk Konopásek - drums, trumpet; Jan Štolba (since 2006) - sax; and others

I played with the Quartet in 1991-93 and then again (and mainly) in 2002-2008. This weird musical group was/is dominated by the actor, poet, visual artist, traveller and singer, Radomil Uhlíř. The band initiated as a reincarnation of late Dvouletá fáma (Uhlíř, Vik, Konopásek). A number of musicians have played with the band throughout the years, e.g.: Vratislav Kydlíček (drums), Lumír Gajda (guitar), René Pařez (guitar) and Zdeněk Hmyzák Novák (trumpet). In 2002-2008 I especially enjoyed playing with the following lineup: Radomil Uhlíř, Joe Karafiát, Jan Štolba and Oto Sukovský (bass, since 2007). In 2006 a double CD was released by Guerilla Records: Skrývám se, ale nikdo mne nehledá [I am hiding, but nobody is looking for me]. In spring 2008, after a deep personal conflict with Radomil Uhlíř, I left the band.

The expert group on "Science and governance" was invited to perform the following tasks: (1) Analyse the uneasiness which is pervading the relations between science, civil society and policy-making. (2) Analyse the strengths and limits of current solutions to this uneasiness. (3) Suggest appropriate conceptual approaches which frame the interactions between science, society and policy-making. (4) Formulate recommendations for more effective science-related governance. The group was headed by Brian Wynne and Ulrike Felt; among its members were, e.g.: Michel Callon, Sheila Jasanoff, Pierre-Benoit Joly, Stefan May, Arie Rip and Andy Stirling. The following report was published as the output of more than two-years long collective work: FELT, U. / WYNNE, B. (2007): Science and governance: Taking European knowledge society seriously. Luxembourg: Office for Official Publications of the European Communities. 95 s.