Events
My public appearances in the past and future (as far as I can see): lectures, conference speeches, workshops, concerts, performances, petanque tournaments... sociology, music and other stuff, all in one.
theatrical performance
Jaroslav Dušek (speaking, acting, dancing, singing), Martin Zbrožek (singing, speaking, acting, playing violin), Zdeněk Konopásek (drums, percussion, trumpet), Viktor Zborník (lights).
12. 2. 2001
:::: Public discussion on "Political films - 1.: Czech society from the dramatic perspective of political events
Archa Theatre, Praha - panel discussion related to the documentary film of Jan Růžička and Jan Gogola
15. 1. 2001
:::: Zdeněk Konopásek: Vědci a jejich vědění: socio-logika objektivity [Scientists and their knowing: Socio-logics of objectivity]
Lecture at the interdiciplinary conference "Perspectives on science and society in the 21st century", January 15-16 2001, Nečtiny near Plzeň
theatrical performance
Jaroslav Dušek (speaking, acting, dancing, singing), Pjér Lašéz (bass, guitar, singing, speaking), Zdeněk Konopásek (drums, percussion, trumpet), Viktor Zborník (lights).
theatrical performance
Jaroslav Dušek (speaking, acting, dancing, singing), Pjér Lašéz (bass, guitar, singing, speaking), Zdeněk Konopásek (drums, percussion, trumpet), Viktor Zborník (lights).
11. 12. 2000
:::: Zdeněk Konopásek: Objektivita a hermeneutika: spory o vědu a vědeckost [Objectivity and hermeneutics: Controversies over science and scientificity]
Lecture within the series of Monday CTS seminars (seminar room, Husova 4, Praha 1)
7. 12. 2000
:::: Zdeněk Konopásek: Jak byl komunismus možný? O malých a obyčejných zdrojích velké a neobyčejné moci [How was communism possible? About small and ordinary sources of a strong and extraordinary power]
Lecture within the series of Thursday CTS seminars (10pm, seminar room, Husova 4, Praha 1)
theatrical performance
Jaroslav Dušek (speaking, acting, dancing, singing), Pjér Lašéz (bass, guitar, singing, speaking), Zdeněk Konopásek (drums, percussion, trumpet), Viktor Zborník (lights).
theatrical performance
Jaroslav Dušek (speaking, acting, dancing, singing), Pjér Lašéz (bass, guitar, singing, speaking), Zdeněk Konopásek (drums, percussion, trumpet), Viktor Zborník (lights).
theatrical performance
Jaroslav Dušek (speaking, acting, dancing, singing), Pjér Lašéz (bass, guitar, singing, speaking), Zdeněk Konopásek (drums, percussion, trumpet), Viktor Zborník (lights).
18. 10. 2000
:::: Zdeněk Konopásek: Obrat k textům a láska k realitě [The textual turn and love for reality]
Presentation at the seminar of the department of cultural and social anthropology, Faculty of humanities, Western-Bohemian University in Plzen
theatrical performance
Jaroslav Dušek (speaking, acting, dancing, singing), Pjér Lašéz (bass, guitar, singing, speaking), Zdeněk Konopásek (drums, percussion, trumpet), Viktor Zborník (lights).
theatrical performance
Jaroslav Dušek (speaking, acting, dancing, singing), Pjér Lašéz (bass, guitar, singing, speaking), Zdeněk Konopásek (drums, percussion, trumpet), Viktor Zborník (lights).
theatrical performance
Jaroslav Dušek (speaking, acting, dancing, singing), Pjér Lašéz (bass, guitar, singing, speaking), Zdeněk Konopásek (drums, percussion, trumpet), Viktor Zborník (lights).
4. 10. 2000
:::: Zdeněk Konopásek & Zuzana Kusá: Relevance and reliability of re-used life stories from ethnomethodological perspective
Presentation at the international conference "Social science methodology in the new millennium - 5th international conference on logic and methodology", October 3-6 2000, University Cologne, Germany
In the Czech Republic and Slovakia, there are still no life history archives with wider access for social scientists. Nor the ethical and methodological problems of re-using documents are discussed. However, the authors as well as many other scholars often re-use their collections of life stories. They use the data for studying new topics that are sometimes far from the original research questions and objectives. In this paper we will discuss some methodological problems arising from such practice. We argue that, on the one hand, ethnomethodological perspective is especially demanding on the quality and pinpoint accuracy of the transcripts (insufficiency of transcript can be corrected by the use of archived audiotapes) and descriptions of the interviews by which the narratives were elicited (field memos). On the other hand, however, the ethnomethodological perspective orients the scholars to formulate their research objective according what the materials themselves offer. Therefore the problem of relevance and reliability can be never resolved in advance and on a general level.
